[RETARDS] Cine mudo - Gifs, webms, vídeos

Desmond Humes · 8 Ene 2017

EFECTOS

Desmond Humes · 8 Ene 2017

Vídeo

Desmond Humes · 8 Ene 2017

Efectos

Desmond Humes · 8 Ene 2017

Cool shots

Desmond Humes · 8 Ene 2017

LOL

Harold Lloyd - For heaven´s sake - 1926

Desmond Humes · 8 Ene 2017

Efectos

Buster Keaton - Sherlock Jr. - 1924

Se graban dos tomas por separado: Una pasando por el puente con la moto y tapando la parte de abajo de la toma; otra se hace con los camiones.
Se alinean y se ajusta el tiempo para que coincidan.

Desmond Humes · 8 Ene 2017

Cool shots

7th Heaven - 1927

Desmond Humes · 8 Ene 2017

LOL

Out West - 1918

Desmond Humes · 8 Ene 2017

Efectos

Metrópolis - 1927

Vídeollamada. Proyección trasera.

Desmond Humes · 8 Ene 2017

Efectos

Modern Times - 1936

Proyección trasera.

Desmond Humes · 8 Ene 2017

Mattes

The close of the 19th century had one of the world’s first prolific filmmakers – a man who spent his life studying the art of illusion – Georges Méliès.

In his 1898 film Four Heads are better than one, (Un Homme De Tête) Méliès employs a visual trick that is the rudimentary beginnings of what we now think of as greenscreen compositing. The use of mattes for multiple exposures.

(1898) Four Heads Are Better Than One - Melies - YouTube

Compositing is a technique combining different shots and elements into one image. The matte shot was the first compositing techniques employed by early filmmakers such as Melies. In his film, Melies would black out parts of the frame using a piece of glass with some black paint. This “matte” made it so no light would reach the film so it wouldn’t get exposed. Then Melies would rewind the film and this time matted out of everything else and expose only the part of the frame that was under the matte earlier. The resulting double exposure could combine two or more different shots into one frame all done inside the camera.